Selasa, 20 April 2010

[I949.Ebook] PDF Ebook Daft Punk - Random Access Memories (Piano, Vocal, Guitar), by Daft Punk

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Daft Punk - Random Access Memories (Piano, Vocal, Guitar), by Daft Punk

(Piano/Vocal/Guitar Artist Songbook). A baker's dozen songs from the 2013 chart-topping album by the French electronic music duo who composed the film score for Tron Legacy are presented in this matching folio arranged for piano, voice and guitar. Includes: Beyond * Contact * Doin' It Right * Fragments of Time * The Game of Love * Get Lucky * Giorgio by Moroder * Give Life Back to Music * Instant Crush * Lose Yourself to Dance * Motherboard * Touch * Within.

  • Sales Rank: #1394806 in Books
  • Published on: 2013-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .27" w x 9.00" l, .78 pounds
  • Binding: Paperback
  • 96 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
useless for guitarplayers
By martin nygaard
It says arranged for guitar in the description -its not. Only the chords of the harmony in the songs and they are not even the correct chords or in the correct position of the guitar. Not very helpfull if you want to know how to play the songs without finding out for yourself where the different parts are played on the guitar and how the rhythm is played? I wish I havent bought this book

0 of 0 people found the following review helpful.
Gives life to my music
By sab007
Well, this is my chance to start a Daft Punk tribute band. Great compilation of one of their best albums. I play it on my piano and the sheet music is great.
It's also in a nicely bound book, which is delightful.

See all 2 customer reviews...

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Senin, 19 April 2010

[S933.Ebook] Get Free Ebook Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide), by Jack Perricone

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Melody in Songwriting: Tools and Techniques for Writing Hit Songs (Berklee Guide), by Jack Perricone

(Berklee Guide). Melody is a subject too often neglected in the teaching of music. This unique resource gives melody that attention it deserves, and proves that melody writing is a skill that can be learned. Through proven tool and techniques, you will learn to write interesting melodies, how melodic rhythm influences rhyme, what makes harmony progress, and the many dynamic relationships between melody and harmony. This clear and comprehensive approach to songwriting unlocks the secrets of popular songs, revealing what really makes them work. Examples of great songs by such notable songwriters as Lennon and McCartney, Diane Warren, Robert Palmer, and more, provide a close-up illustration of the songwriting techniques employed by these masters of the industry. This is the book used in Songwriting classes at Berklee College of Music. The exercises provided make it a wonderful self-teaching manual and a great addition to any general theory course of any level. Use the tools presented in this book to help fine-tune your craft and start writing hits!

  • Sales Rank: #258527 in Books
  • Brand: Berklee Press
  • Model: 50449419
  • Published on: 2000-05-01
  • Released on: 2000-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .47" w x 9.00" l, 1.36 pounds
  • Binding: Paperback
  • 192 pages
Features
  • 182 pagesSize: 12" x 9"Composer: Jack PerriconeISBN: 063400638X

Most helpful customer reviews

80 of 81 people found the following review helpful.
A great book on melody
By Jack
This is a good book, well written , and clearly laid out. It offers the reader a methodical approach to writing better melodies by showing you that good melodies are the result of contrast, balance and fluidity. It also covers harmony and its relationship with melody giving examples from popular songs. The book is a refreshing change as it does exactly what it says on the cover; it looks at melody within song writing, and approaches it as a serious subject to be studied and learned. If like myself you get slightly lost every now and then, read the chapter through, go back and read it again, its really worth it because once this stuff begins to sink in, you go away and see what he's talking about as soon as you turn on the radio or listen to your favourite music. I say a refreshing change because it differs from other song writing books that I have recently purchased with titles such as "How To Write That Hit!" etc which seem to spend about 3 pages telling you how to write songs then divide the rest of the book between telling you how to "Pitch that song in the market" or patronising the reader with little cute stories about how they wrote their half a hit that came out 200 years ago "Oh and then Bruce, as in Springsteen, called up asking how the song was coming along, it was all so hilarious". We don't want cute stories , we want guide lines to the craft of writing beautiful songs. Lastly, in this book, Perricone does not attempt to suggest that technique is more important than inspiration, indeed he says that both work hand in hand, each one necessitating the other. As an aspiring young song writer myself I have often heard this debate between those that believe in the dreaded technique, and those that believe in inspiration alone. The argument on the one hand goes, the decline of the modern pop song is due to the fact that writers no longer learn their craft, long gone are the golden years of song writing (Berlin, Porter, Rogers and Hart etc.). On the other hand, I've heard lots of song writers (none of whom ever got a publishing deal!) saying "you dont need to learn technique, inspiration is what I use". often said with a kind of religious conviction. The example people in this camp always wheel out is the fact that, yes neither Lennon nor McMartney read or wrote music. What these people seem to fail to comprehend is that both Lennon and McCartney were almost musical scholars when it came to the popular songs of their time, analysing, dissecting and pinching sections of these songs. Anyone who's ever read "Revolution in the Head" by Ian Mcdonald (a fantastic book!) will tell you so. My own point of view is consistent with that of Perricone. Having read his book I feel that the knowledge of a little technique has only propelled and projected my creativity and to me at-least it seems preposterous that song writers should think that they need not learn a little craft. Try and become a painter or a carpenter with out a little technique. Now after years of heart ache, not knowing how to develop that little melody in my head and putting the guitar down after five minutes to make a cup of coffee, with a little know how, I am writing better songs. At least my girlfriend thinks so!!! Go and create people! We need good songs to wrap up our memories. Best wishes, jack.

86 of 88 people found the following review helpful.
TRIPLE-A FOR "STUCK" SONGWRITERS!
By middlemoo
Jack Perricone is a great admirer (and practitioner!) of the pop song, and in this book he outlines successful strategies for songwriters to get back IN the groove, or to break OUT of their writing "ruts". Granted, this material may seem rather "heady" at times, and less intuitive than we like to think creativity is, but when you need a jumpstart to get back on track, you'll be glad to have this assortment of options at hand. Although this book is nominally about Melody only, the author includes all other song components as they interact, and provides a fresh perspective and analysis on how and why certain songs reach us and connect with the public. There's as much respect shown toward rock and blues songs as more traditional pop, and a lot of very valuable stuff for writers of ALL styles of songs.

50 of 50 people found the following review helpful.
It's About Composition, Plain and Simple
By frankp93
This terrific book examines what might be called a "theory of melody" as applied to songwriting, although many of the principles Perricone demonstrates come straight out of classical composition and could be applied to melody in many contexts

other than popular song.

The author wisely divides the work into two large areas he calls

"Melody: Its Components" and "Melody-Harmony Relationships". Separating the horizontal and vertical aspects of melody is an effective learning tool, though such a line would likely never be drawn in the intuitive act of composing.

The Components part of the book deals with the behavior of tones and the contruction of melody: the influence of rhythm on phrases, devices to develop and contrast motives

and the expansion of this basic material into larger sections is covered.

The second part of the book introduces the harmonic element, placing the melodic invention of the first part into its traditional context. Unless you're planning to write Gregorian chant or solo voice Appalachian ballads, your melodies interact

with, and are to a certain extent a function of, the underlying harmony. Tension tones, and the influence of target and bass tones are explored. Gradually the integration of harmony and melody unfolds and a set of tools are demonstrated for creating

both chord progressions and corresponding melody. Indeed, much of this material is as applicable to jazz improvisation and composition as it is to songwriting.

The author assumes you're familiar with musical notation and the harmony illustrations are keyboard-oriented, so if you're a guitarist you'll have to adapt the chord symbols to your own voicings.

The harmonic vocabulary covers a broad range of musical styles and should be familiar to rock/pop musicians as well as those interested in jazz/show tunes. There are a number of references to well-known songs, but in contrast to Jimmy Kochulis' books, Perricone relies somewhat less on examples and possibly

more on the individual's own initiative. He assumes you've got the listening background and experience and have confidence beyond the phase of literal imitation (a phase that's nothing to be ashamed of and has been the starting point for most composers throughout history).

There's a tremendous amount of useful material here for those willing to work at it. This is not a "write a hit song in 21 days"-type of book. It's a serious composition text that will reward serious study.

See all 48 customer reviews...

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Selasa, 13 April 2010

[F637.Ebook] Fee Download Harry Potter y la piedra filosofal (Harry 01) (Spanish Edition), by J. K. Rowling

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Harry Potter se ha quedado huerfano y vive en casa de sus abominables tios y del insoportable primo Dudley. Harry se siente muy triste y solo, hasta que un buen dia recibe una carta que cambiara su vida para siempre. En ella le comunican que ha sido aceptado como alumno en el colegio interno Hogwarts de magia y hechiceria. Alli aprendera trucos y encantamientos fabulosos, y hara un punado de buenos amigos... aunque tambien algunos temibles enemigos. Y, sobre todo, conocera los secretos que lo ayudaran a cumplir con su destino. / Harry is summoned to attend an infamous school for wizards, and he begins to discover some clues about his illustrious birthright. At this unusual school, Harry finds himself drawn deep inside a mystical world he never knew existed and closer to his own noble destiny.

  • Sales Rank: #6206 in Books
  • Published on: 2015-07-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 7.88" h x .75" w x 5.25" l, .0 pounds
  • Binding: Paperback
  • 256 pages

Most helpful customer reviews

11 of 12 people found the following review helpful.
Encantoso!
By A Customer
Spanish language version of the first pf the phenomenal Harry Potter series. An English lad embarks upon a life of magic and wizardry in a special school dedicated to that end. A fabulous read, it not only holds one's attention, but at the same time greatly enhanced my grasp of Spanish. It serves to entertain while reinforcing Spanish language skills. I recommend it to children of all ages who have any background in Spanish.

1 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
Great book for my ten years old daughter!

0 of 0 people found the following review helpful.
A good fit for my needs
By niz9
I bought it because I am learning Spanish. I enjoyed it very much but I can't speak for how good or bad the translation might be. My first real Spanish book and it was a challenge to get through the sentence structures and vocabulary yet very uplifting to complete.. .

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Jumat, 09 April 2010

[R437.Ebook] Download PDF Advances in Genetics, Volume 90From Academic Press

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The field of genetics is rapidly evolving, and new medical breakthroughs are occurring as a result of advances in our knowledge of genetics. Advances in Genetics continually publishes important reviews of the broadest interest to geneticists and their colleagues in affiliated disciplines.

  • Critically analyzes future directions
  • Written and edited by recognized leaders in the field

  • Published on: 2015-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .60" w x 5.90" l, .0 pounds
  • Binding: Hardcover
  • 220 pages

Review

Praise for previous volumes in the series: "Outstanding both in variety and in the quality of its contributions." –Nature

"Can be highly recommended to geneticists, and biologists in general...will prove to be of high importance for the development of the science of genetics." --Science

About the Author
School of Medicine, University of California at San Diego, USA

Dr. Jay Dunlap works at the Geisel School of Medicine at Dartmouth.

Dr. Stephen Goodwin works at the University of Oxford.

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Our Vietnam: The War 1954-1975, by A. J. Langguth

Winner of the Overseas Press Club's Cornelius J. Ryan Award for Best Nonfiction Book, the Commonwealth Club of California's Gold Medal for Nonfiction, and the PEN Center West Award for Best Research Nonfiction

Twenty-five years after the end of the Vietnam War, historian and journalist A. J. Langguth delivers an authoritative account of the war based on official documents not available earlier and on new reporting from both the American and Vietnamese perspectives. In Our Vietnam, Langguth takes us inside the waffling and deceitful White Houses of Kennedy, Johnson, and Nixon; documents the ineptness and corruption of our South Vietnamese allies; and recounts the bravery of soldiers on both sides of the war. With its broad sweep and keen insights, Our Vietnam brings together the kaleidoscopic events and personalities of the war into one engrossing and unforgettable narrative.

  • Sales Rank: #1255416 in Books
  • Color: Grey
  • Brand: Brand: Simon n Schuster
  • Published on: 2002-03-12
  • Released on: 2002-03-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 2.10" w x 6.12" l, 2.03 pounds
  • Binding: Paperback
  • 768 pages
Features
  • Used Book in Good Condition

Amazon.com Review
By the evidence former New York Times war correspondent A. J. Langguth presents in Our Vietnam, that long conflict can be seen as a steadily accumulating series of missteps, misinterpretations, and mistakes. Some had their origins in earnest attempts to bring scientific method to bear on the business of killing, such as Defense Secretary Robert McNamara's belief in the theory of "statistical control," a cost-benefit accounting procedure that, hitherto confined to factories, was applied to the battlefield with tragic result. Some, such as the endless argument at the Paris peace talks over the shape of the conference table, were born in the endless struggle to win the war on the propaganda front. And some, like the CIA's misreading of events that led to the 1963 coup against South Vietnamese leader Diem, arose from an almost willful refusal to recognize the realities of Vietnamese society.

In this thoroughgoing history of America's adventure in Vietnam, Langguth shows a clear appreciation for the war's many ironies--Lyndon Johnson's plan to build a huge dam on the Mekong River while bombing the neighboring countryside into submission, Ho Chi Minh's distress at having to battle the Americans, whose ally he had once been--while charting a clear narrative course through a dauntingly complex series of events. His highly readable book, ranking alongside Stanley Karnow's Vietnam: A History, promises to become a standard history of the era, and it is superb in every respect. --Gregory McNamee

From Publishers Weekly
The New York Times Vietnam correspondent and sometime Saigon bureau chief during the war, Langguth has since written eight books (including Patriots: The Men Who Started the American Revolution) and now teaches journalism at USC's Annenberg School of Communications. Short on analysis yet with the comprehensiveness of a long-term, slow-cooked project, his new book sets out the politically charged policy-making story of U.S. involvement in the Vietnam War completely and seamlessly. Four sections pair leaders from each sideDKennedy and Ho Chi Minh (long); Vo Nguyen Giap and Lyndon Johnson (longer); Nixon and Le Duc Tho; Le Duan and FordDcreating a personality-driven saga via dozens of individual stories. Langguth has interviewed many of the major players and mined the best primary and secondary accounts, but his interviews with lesser known but consequential American and Vietnamese eyewitnesses prove the most revelatory: William Kohlmann of the CIA; Viet Cong Lt. Ta Minh Kham; Foreign Service Officer Paul Kattenburg; former State Department director of intelligence Thomas Hughes; Nguyen Dinh Tu, a one-time South Vietnamese newspaper reporter; and many others. The result is a well-crafted and adroitly balanced account that tells a long, compelling story and sets itself apart from the Vietnam War pack. Photos not seen by PW. Agent, Lynn Nesbit. (Nov.)
Copyright 2000 Reed Business Information, Inc.

From Booklist
The Vietnam War was and still is, next to the Civil War, one of the most divisive wars in U.S. history. By looking at the key decision makers on both sides, Langguth chronicles why the outcome was inevitable. In the U.S., there was an outgoing beloved president who warned against a "military-industrial" complex that could influence foreign policy through costly investments in winless conflicts. It was a warning that went unheeded. Into office came a young president elected by the narrowest of margins who found himself deferring to the "wisdom" of elder statesmen, many of whom still retained the view of the U.S. as an invincible power. Finally, there was an old-line former Senate leader swept into the Oval Office because of an assassination's bullet. On the other side, there was Ho Chi Minh, the quiet revolutionary, and Diem, a corrupt leader backed by the U.S., who handled his opposition by silencing them with such weapons as a resurrected guillotine. This book may be compared somewhat to David Halberstam's The Best and the Brightest, but it is unique in its perspective of the major players on both sides and is reinforced by newly released documents and the interviews Langguth undertook to sort through detail by detail where everything went so wrong in our war, our Vietnam. Marlene Chamberlain
Copyright © American Library Association. All rights reserved

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36 of 76 people found the following review helpful.
Nothing new; bloated and trivial
By D. C. Carrad
A quick litmus test for the accuracy and even-handedness of Vietnam War books is to compare the author's treatment of the massacre of 3,000-5,000 innocent Vietnamese civilians (teachers, religious figures, etc.) by the NVA and VC in Hue during the Tet Offensive with the treatment of the My Lai massacre where several hundred innocents were killed. One was a deliberate official act (the NVA and VC were given lists of names and addresses to target prepared by their intelligence people) and the other an aberration (every two-bit Seymour Hersh wanna be has been looking for other US Army massacres since 1969 and finding only dry wells) which was investigated and punished. Langguth fails this test miserably, misinterpreting both events. His fly-on-the-wall attempts to reconstruct insider politics doesn't come across credibly either. It is particularly shameful that he abruptly ends his book in May 1975 ingnoring the Cambodian holocaust, the Vietnamese boat people and other tragic consequences of his reporting. (I spent a year in Vietnam as an Army officer in 1968-69 and four years doing aid work in Cambodia in 1996-2000 so I have seen it firsthand). This book is just more tired, establishment press late hits and piling on...save the trees and buy "Stolen Valor" instead.

7 of 9 people found the following review helpful.
Detailed narration of war
By Frank
This book is a must-read for anyone wanting an in-depth history/ chronology of the Vietnam war. It's primarily a political history, documenting the motivations and actions of leaders and those who advised them, and then how those decisions played out on the ground.
One early event from the book is telling: in May 1962, McNamara was making his first trip to Vietnam for a detailed briefing on the situation, particularly on Communist strength. There were, in fact, an estimated 40,000 in local Communist battalions and identifiable guerrilla units. His briefers tightened their criteria, and reduced that to 20,000 - 25,000. THAT number had to be reduced, and was cut to 17,500. By the time McNamara arrived in Vietnam, he was told the number was 16,305. The night before the briefing, the colonel doing the briefing removed one-third of "enemy-controlled areas" from McNamara's briefing map.
This book details not only how our government deceived the public, but also itself -- and goes into the motivations of the South Vietnamese, North Vietnamese, and their relations with China, Soviet Union, and the French.

I do not see "lack of analysis" as a fault of this book, as a previous reviewer did. The book does a great job of presenting what each actor said, wrote, and did -- in plenty of detail so that the reader can think for him/herself. For instance, Langguth spells out exactly how Jack Kennedy SAID privately that he was planning on pulling out of Vietnam in his second term. Would that have happened? Would it have been prevented by Congress, and the need for conservatives' support on domestic issues? Did Kennedy really mean what he said? That's all interesting, but it's essentially speculation outside the scope of the book.
I do think the book would have benefited from somehow presenting an overview of the war along with the detailed "novel" approach, which trusts the reader with independent knowledge of the war. Also, the binding in my library copy was weak.

19 of 21 people found the following review helpful.
Power and failure
By E. Grabianowski
This work shows exactly how the United states gradually became involved in Vietnam from the details on up. Other reviews have commented on Langguth's objectivity and accuracy. I will mention the most lasting impression this book left on me:
Most of us have the perception that the great men of power throughout history are made of something different from ourselves. We only see them on the world's stage, made up and prepared; speeches rehearsed; ceremony and station lending gravity to their every word and action. We don't think of them sleepless; with a bit of popcorn stuck in their teeth; complaining to their wives; or any of the other everyday situations that even these men of power experience. And so we assume their minds are always bent to grand designs. We think they hold a certain wisdom that lets them maneuver through politics and war, making decisions based on facts or morality.
Langguth's tale tells a different story. Decisions that cost tens of thousands of lives and reshape the world are made by men as sweaty and itchy as you and I. Wars are started because of ego, petty squabbles, and job security. Elections! How many have died so that one man could keep his job? So we see Kennedy and Johnson and Nixon, and all the well-dressed men around them, chewing their lips and eyeing one and other with mistrust, stabbing one and other in the back, lying and cheating, making mistakes.
Wars are started all because we make the mistake of investing such power in mere humans.

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