Rabu, 27 Februari 2013

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Memoirs of Nikita Khrushchev: Volume 1: Commissar, 1918-1945From Penn State University Press

Nikita Khrushchev’s proclamation from the floor of the United Nations that "we will bury you" is one of the most chilling and memorable moments in the history of the Cold War, but from the Cuban Missile Crisis to his criticism of the Soviet ruling structure late in his career the motivation for Khrushchev’s actions wasn’t always clear. Many Americans regarded him as a monster, while in the USSR he was viewed at various times as either hero or traitor. But what was he really like, and what did he really think? Readers of Khrushchev’s memoirs will now be able to answer these questions for themselves (and will discover that what Khrushchev really said at the UN was "we will bury colonialism").

This is the first volume of three in the only complete and fully reliable version of the memoirs available in English. In this volume, Khrushchev recounts how he became politically active as a young worker in Ukraine, how he climbed the ladder of power under Stalin to occupy leading positions in Ukraine and then Moscow, and how as a military commissar he experienced the war against the Nazi invaders. He vividly portrays life in Stalin's inner circle and among the generals who commanded the Soviet armies.

Khrushchev’s sincere reflections upon his own thoughts and feelings add to the value of this unique personal and historical document. Included among the Appendixes is Sergei Khrushchev’s account of how the memoirs were created and smuggled abroad during his father’s retirement.

  • Sales Rank: #1203853 in Books
  • Published on: 2013-06-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 2.54" w x 6.13" l, 2.85 pounds
  • Binding: Paperback
  • 1004 pages

Review

“Nikita Khrushchev was one of the most important political leaders of the twentieth century. Without his memoirs, neither the rise and fall of the Soviet Union nor the history of the Cold War can be fully understood. By dictating his memoirs and publishing them in the West, Khrushchev transformed himself from the USSR’s leader to one of its first dissidents. His remarkably candid recollections were a harbinger of glasnost to come. Like virtually all memoirs, his have a personal and political agenda, but even what might be called Khrushchev’s ‘myth of himself’ is vital for understanding how this colorful figure could place his contradictory stamp on his country and the world. The fact that the full text of Khrushchev’s memoirs will now be available in English is cause for rejoicing.”

—William Taubman, winner of the 2004 National Book Critics Circle Award and the 2004 Pulitzer Prize for his book Khrushchev: The Man and His Era



“One of the most extraordinary archives of the twentieth century”

—Strobe Talbott, former U.S. Deputy Secretary of State



“Khrushchev had a remarkable memory, and although the style and broad outline of what he has to say will be familiar to those who read the original two-volume English version issued in the early 1970s, the detail he provides here, particularly on the war, adds a great deal.”

—Robert Legvold, Foreign Affairs



“But his personal slant, conveyed in the World War II memoirs that make up half of this huge book, is important for understanding the political atmosphere during that colossal struggle. And the detail of his recall, without notes or references, is extraordinary.”

—Robert V. Daniels, The New Leader



“Sergei Khrushchev (Thomas J. Watson Jr. Institute, Brown Univ.) has edited an exquisitely detailed, amply documented, remarkably translated first volume of a proposed three-volume translation of his father’s memoirs, based on the four-volume Russian edition of 1999.”

—C.W. Haury, Choice



“There is a lot less high politics here than one would expect. Khrushchev’s focus is very often on chance encounters and small vignettes, often told at great length, rather than on reflections on the ‘big picture’ or revelations about key historical events. Yet it is this above all else that makes this work so readable, for it allows Khrushchev’s personality to come through in the text in all its contradictions and complexity.”

—William Tompson, Political Science Quarterly



“This volume far exceeds in detail earlier editions of the Khrushchev memoirs and for readers of this journal especially, his observations of the war years are intriguing.”

—Paule Wanke, Journal of Military History



“Like all memoirs, this book has to be read with caution. This is a product of the love of Khrushchev’s son, Sergei, and it permeates the book. He has gone to great lengths to get this book published and keep the legacy of his father alive. As a result, the book is a s complete as one can hope. Inevitably there is also a negative side. Khrushchev’s role in the Stalinist terror in Ukraine, for example, is not discussed. Even the index uses a conditional statement: ‘Khrushchev’s alleged purging’ in Ukraine (p.932). Despite this and other shortcomings, this is a book of enormous importance that no one interested in the Soviet Union can afford to miss.”

—Hiroaki Kuromiya, Harvard Ukainian Studies

From the Publisher
"Nikita Khrushchev was one of the most important political leaders of the twentieth century. Without his memoirs, neither the rise and fall of the Soviet Union nor the history of the Cold War can be fully understood. By dictating his memoirs and publishing them in the West, Khrushchev transformed himself from the USSR’s leader to one of its first dissidents. His remarkably candid recollections were a harbinger of glasnost to come. Like virtually all memoirs, his have a personal and political agenda, but even what might be called Khrushchev’s "myth of himself" is vital for understanding how this colorful figure could place his contradictory stamp on his country and the world. The fact that the full text of Khrushchev’s memoirs will now be available in English is cause for rejoicing." --William Taubman

About the Author

Nikita Sergeyevich Khrushchev (1894-1971) was First Secretary of the Central Committee of the Communist Party of the Soviet Union from 1953 to 1964 and Chairman of the USSR Council of Ministers from 1958 to 1964.

Sergei Khrushchev is Senior Fellow at the Thomas J. Watson Jr. Institute for International Studies at Brown University. He is the author of Nikita Khrushchev and the Creation of a Superpower (Penn State, 2000).

Most helpful customer reviews

23 of 26 people found the following review helpful.
"Every autobiography is concerned with two characters
By Lonya
a Don Quixote, the Ego, and a Sancho Panza, the Self."

W.H. Auden's aphorism forms an appropriate framework for reviewing The Memoirs of Nikita Khrushchev: Volume I. Although the Memoirs have more Don Quixote than Sancho Panza they are compelling, informative, and insightful.

Volume I consists of two sections: Khrushchev's Memoirs from the early days of the Russian Revolution through the end of the Second World War and Sergei Khrushchev's (Nikita's son) essay on the creation of the memoirs and the decades long struggle to see it published in the USSR.

Khrushchev's memoirs are fascinating for a number of reasons. As set out in Sergei's essay, these Memoirs were dictated and not written. As a result, the Memoirs have a very conversational tone whcih, for me, brought the Memoirs to life. Khrushchev had a prodigious memory and his Memoirs bear this out. Each chapter of Khrushchev's life is rich with the type of detail that one doesn't expect in a memoir written decades later. The bulk of Volume I is devoted to World War II. Khrushchev served as a member of the Military Council and as Commissar in the Ukraine (a political hierarchy that paralleled the military chain of command). Khrushchev played a critical role in the Ukraine during the war, lived and worked through the horrendous battle of Stalingrad, the enormous victory at Kursk, and the liberation of Kiev. Khrushchev is at his narrative best when describing these events. At the same time, Khrushchev does not shy away from discussing the chaos and confusion that reigned at the beginning of the war. Stalin (rightfully I think) bears the brunt of this criticism but Khrushchev did not shy away from brutal assessments of soldiers and political leaders who displayed cowardice or put their own interests above those of the state. Interestingly, Khrushchev does not stint in his praise for Marshall Zhukov, despite the fact that Khrushchev had Zhukov removed from a top party post in the 1950s when he became a threat to Khrushchev's power base.

The Memoirs are fascinating not only for what is said but also what is left unsaid. George Orwell once wrote that "[a]utobiography is only to be trusted when it reveals something disgraceful." There is nothing to distrust in these Memoirs as they relate to Khrushchev's external life, most of which can easily be confirmed by the available records. However, missing from the Memoirs (at least in this Volume) is a detailed examination of Khrushchev's inner life. We know he survived the purges and we know he began to question Stalin's actions. Khrushchev writes convincingly of Stalin's mistakes but we never quite find out what he knew and when. Khrushchev was (seemingly) at the time a devoted servant to Stalin. He participated in party purges and in these Memoirs he ruefully acknowledges his then belief that many of his colleagues were enemies of the state. Yet this was the same Khrushchev who took a tremendous leap of faith in revealing Stalin's `crimes' at the famous Party Congress in 1956. What is missing is some indication of the inner reflections (the Sancho Panza-like reflections if you will) on the survival mechanisms that led an intelligent and clearly decent person to suspend disbelief for such a long period of time. However, Sergei Khrushchev's fascinating essay on the fight to publish these Memoirs leads to some valuable insights.

Sergei's essay is an intriguing story in its own right. The Kremlin put pressure on the family to get Nikita to stop writing. They were followed and interrogated by the KGB. Khrushchev seethed at these attempts to suppress his memoirs. Khrushchev defended his rights as a Soviet citizen and fulminated against these affronts to his dignity and self respect. There is no small amount of irony in reading about Khrushchev's struggle with the Politburo. Despite the fact that he was primarily responsible for "the thaw", Khrushchev also managed to crack down on artists and writers who he thought "went too far". The illicit export of a copy of the manuscript placed him in the same company as such writers as Pasternak, Solzhenitsyn, Voinovich, and Grossman.

More importantly, however, the essay portrays Khrushchev's struggle as one compelled in part by his sense of dignity and self-respect. The historical record and the Memoirs are filled with references to Khrushchev and other leaders abasing themselves before Stalin. I think Sergei's essay goes a long way toward fleshing out (at least implicitly) Important parts of Khrushchev's internal life that are missing from the Memoirs. Khrushchev was a figure of great substance and no small amount of talent (despite some glaring failures during his premiership). He was a man who with only four years of formal education but he had enough talent and ambition to lead a nation. But along the way he had to endure almost daily humiliations at the hands of his `master'. These humiliations, along with his participation in the development of the cult of Stalin all constitute part of what may be called `the sin of survival'. Although not uncommon in Gulag memoirs they strike a jarring note in the memoirs of the leader of a nation. Khrushchev's actions at the 20th-Party Congress and his fight during his last days to preserve his right to publish seem, to me at least, to be an attempt to reclaim some part of that dignity that was voluntarily (if by necessity) forfeited years ago.

Nikita's Memoirs, together with Sergei's essay, provide a profoundly interesting and informative examination of one of the 20th-Cenntury's most complex and misunderstood leaders. The Memoirs of Nikita Khrushchev Volume I should be required reading for anyone with an interest in the history of the USSR and its place in world history.

1 of 1 people found the following review helpful.
The Red Antichrist
By Dean Brunel
A riviting personal account of the workings and failures of the Soviet Union under the direction of Joseph Stalin. Those who may revere the memory of Stalin will not like this book, but it helps explain the causes of the lack of preparedness of Russia for the Second World War and the folly placing one's faith in the ability of one man to rule a nation.

0 of 0 people found the following review helpful.
Five Stars
By Orestes J. Garcia
GOOD

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Jumat, 15 Februari 2013

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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3rd Edition, by Steven G. Laitz

Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. The text links each of the tasks that comprise a tonal theory curriculum, explicitly connecting written theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class.

DISTINCTIVE FEATURES
* Presents an outstanding quality, quantity, and diversity of exercises geared toward real music and real music situations
* Explores not only standard four-voice harmony, but also other musical domains including melody, counterpoint, and a multitude of textures; the result is a text with applicability and relevance to all musicians
* Includes almost 4,500 musical examples from the common-practice repertoire in the text and workbooks, more than 90 percent of which are on the CDs included with the text and workbooks--nearly twenty hours of music on MP3 files (all music is performed, recorded, and engineered at Eastman)

  • Sales Rank: #113026 in Books
  • Published on: 2011-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.50" w x 10.10" l, 3.90 pounds
  • Binding: Hardcover
  • 896 pages
Features
  • Textbook
  • CD included

Review

"The Complete Musician offers a depth of theoretical training and analytical insight that its competitors do not. It has, by far, the best musical examples of any textbook available on the market today. The exercises, which incrementally progress from easier to harder, are highly original and just plain fun to do."--Reginald Bain, University of South Carolina


"The integration of composition, analysis, aural recognition, and performance is the best feature of The Complete Musician. It subtly reinforces the idea that a musician needs an understanding of each aspect of the musical universe in order to excel in any of its specialized areas. The CompleteMusician trains music students to think like composers, which cannot help but make them better performers."--Ciro Scotto, University of South Florida


"The most comprehensive, musically intelligent, and easy-to-use music theory textbook on the market."--Stefan Eckert, University of Northern Colorado


"This title ranks among the very best of its kind. . . . If you want a thorough and approachable book that gets behind, or into the head (indeed, heart and soul) of composers whose music you've known; want to know how it works the way it does, and why; want to see the mechanics, an appreciation of which serves only to enhance your sense of admiration for their technique, then The Complete Musician can be recommended wholeheartedly."--Review from Classical.net


About the Author

Steven G. Laitz is Professor of Music Theory at the Eastman School of Music at the University of Rochester. He is also an Affiliate Faculty Member in the Chamber Music Department at Eastman. Dr. Laitz is the current editor of the Journal of Music Theory Pedagogy.

Most helpful customer reviews

5 of 5 people found the following review helpful.
As another reviewer also commented, the book has quite ...
By Amazon Customer
As another reviewer also commented, the book has quite a lot of errors. Several paragraphs and diagrams are ambiguous or confusing and can only be deciphered by consulting external sources, which makes this book very frustrating to read. The author strangely didn't choose to move basic material either entirely to the appendices or to cover it completely within the main chapters.

0 of 0 people found the following review helpful.
Previously a textbook rental volume. It's in excellent condition. A great value.
By Dan J
I'm coming mid-way into a music theory sequence, having just transferred universities. I was very pleased to find the book the class is using, the previous edition of a widely used music theory text. The volume was previously a textbook rental, at a very good price. I was a little concerned about the status of the book. However, the description was accurate. The pages are clean and the binding very sound. It's in essentially "new" condition. I'm very pleased.

0 of 0 people found the following review helpful.
Get the 3rd edition!
By Oliver
It's a nice book to learn music theory. Everything is very detailed in the book. We use this book as taxt book in Davis. Although this is a used one, it watchable and not bad at all. There is nothing major changes between the newest edition and this one, but this one is a lot cheaper. So get the third edition!

See all 29 customer reviews...

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Jumat, 08 Februari 2013

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The focus of Handbook for Cleaning/Decontamination of Surfaces lies on cleaning and decontamination of surfaces and solid matter, hard as well as soft. Bringing together in a 2-volume reference source:
- current knowledge of the physico-chemical fundamentals underlying the cleaning process;
- the different needs for cleaning and how these needs are met by various types of cleaning processes and cleaning agents, including novel approaches;
- how to test that cleaning has taken place and to what extent;
- the effects of cleaning on the environment;
- future trends in cleaning and decontamination, for example the idea of changing surfaces, to hinder the absorbance of dirt and thus make cleaning easier.
A brief introduction is given to the legal demands concerning the environment and a historical background, in terms of development of detergents, from soaps to the modern sophisticated formulations. Bactericides, their use and the environmental demands on them are covered. Thorough discussions of mechanisms for cleaning are given in several chapters, both general basic concepts and special cases like particle cleaning and cleaning using microemulsion concepts.

* General understanding of how cleaning works, function of ingredients and formulations
* Overview of environmental issues and demands from the society in the area
* Gives basic formulas for cleaning preparations in most areas

  • Sales Rank: #7052304 in Books
  • Published on: 2007-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 3.70" h x 7.60" w x 10.20" l, 5.05 pounds
  • Binding: Hardcover
  • 992 pages

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Handbook for cleaning/decontamination of surfacesFrom Elsevier Science PDF
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[Q793.Ebook] Ebook Handbook for cleaning/decontamination of surfacesFrom Elsevier Science Doc

[Q793.Ebook] Ebook Handbook for cleaning/decontamination of surfacesFrom Elsevier Science Doc

[Q793.Ebook] Ebook Handbook for cleaning/decontamination of surfacesFrom Elsevier Science Doc
[Q793.Ebook] Ebook Handbook for cleaning/decontamination of surfacesFrom Elsevier Science Doc

Senin, 04 Februari 2013

[W676.Ebook] Ebook Free Script Fonts, by Geum-Hee Hong

Ebook Free Script Fonts, by Geum-Hee Hong

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Script Fonts, by Geum-Hee Hong

Script Fonts, by Geum-Hee Hong



Script Fonts, by Geum-Hee Hong

Ebook Free Script Fonts, by Geum-Hee Hong

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Script Fonts, by Geum-Hee Hong

Fonts based on handwritten scripts are some of the bestselling typefaces of the font foundries. They bring personality and authenticity to graphic design – whether on business cards and flyers, or in packaging and advertising.

Script Fonts is a visual encyclopedia of over 300 fonts that includes complete alphabets and numerals for each font and a piece of sample text that shows how each typeface works in the context of a paragraph. It is richly illustrated with over 100 examples of the typefaces as used in manuscripts, on posters, in advertising and other graphic design. The book includes elegant Italian and French cursive scripts, English script fonts, expressive marker fonts, brush and swash fonts, deko and freestyle fonts – all illustrated with historical and contemporary examples.

The accompanying CD includes 122 free fonts.

  • Sales Rank: #481703 in Books
  • Published on: 2016-05-10
  • Released on: 2016-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 1.50" w x 5.75" l, .0 pounds
  • Binding: Hardcover
  • 496 pages

About the Author
Geum-Hee Hong was born in Korea in 1977 and studied Visual Communication Design at the Hong-ik University in Seoul. She worked as a book designer and freelance illustrator in Seoul before completing a second degree at the Hochschule der Künste in Bremen, Germany. She is the author of Here and There (2008), a book about life in a foreign country. Geum-Hee lives in Frankfurt am Main.

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